Produced at Graphic Programs, this series of commercials was achieved by Carolyn Reid and Dominic Bean by frame by frame paintwork. To meet the deadline, both the Harriet and HAL were on the job for around 100 hours a week each, over 2 weeks.
Each frame is the result of painting together four different telecine grades of the film shoot - flesh tones and reds from the natural grade, with blue, green and gold colour grades making up the rest of the image. Mastered on Digital Betacam.
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